Clare Romano & John Ross: 70 Years of Printmaking at Center for Contemporary Printmaking

The fall exhibition, featuring a sampling from the extensive collection of original prints by Clare Romano and John Ross,  at The Center for Contemporary Printmaking (CCP), 299 West Ave., in Mathews Park, Norwalk, runs through Sunday, December 14, 2014.

Clare Romano, "Silver Canyon"

Gallery visitors have the opportunity to view original prints made by these preeminent printmaking artists, educators, and authors—husband and wife, each with their own acclaimed individual careers—who have made the fine art of printmaking, with a particular emphasis on the art of the collagraph, their life's work.

Clare Romano and John Ross had a major influence on the art printmaking and printmaking students. For many, their text, "The Complete Printmaker", represented the next wave in printmaking. The exhibition showcases landscapes and cityscapes, lithographs, etchings, silkscreens, woodcuts, letterpress and, of course, collagraphs. Visitors will discover novel and innovative images using silk aquatint, asymmetrically cut plates, and the combination of intaglio and relief on the same plate.

John Ross, "Duomo

The Center has scheduled an Artists Talk and Book Signing with John and Tim Ross for December 10 from 7 to 8:30 pm.  Clare Romano and John Ross wrote and illustrated a number of books together, the first entitled Manhattan Island (1957) and the most important publication, The Complete Printmaker, originally published in 1972 is now in its second edition with Artist/Printmaker and Educator Tim Ross joining his parents as co-author. The Complete Printmaker is still used as a printmaking text in college classrooms today. 

Normal hours are Tuesday through Sunday 9 am to 5 pm. The gallery is closed on Columbus Day, Veterans Day, and over the Thanksgiving Day weekend. Admission is free, and the gallery is handicapped accessible. For more information visit http://www.contemprints.org.

For information on Fairfield County visit www.visitfairfieldcountyct.com

September Workshops at the Center for Contemporary Printmaking

Located in Norwalk on  299 West Ave., the Center for Contemporary Printmaking has organized a series of workshops for  advanced participants as well as beginners.  On September 5-7 for example, Large Prints from a small press will be featured and participants will explore monoprinting methods that defy the size limitations of our presses. Participants create painterly and stencil-raised plates that can be fixed or repositioned. Chine collé techniques will expand the range of imagery and color in the one-of-a-kind prints. Rinsed prints will be demonstrated. All levels.

On September 13-14, Jeanine Espito will show how handmade paper is one of the  most versatile materials around, yet it has not been fully explored as a sculpture medium.  In this workshop you will learn how to make and use handmade paper to create sculpture.  You will learn what kinds of pulp can be used, how to control it and work with it “in the air” and how to dry it.  You will explore a wide variety of techniques including draping, layering, casting over armatures, imbedding, sewing, etc.  The focus of this class will be on learning the basics of handmade paper sculpture and experimenting with as many techniques as possible in the 2 days.  Some prior knowledge of basic papermaking is suggested but not required. All levels.

There will be a three day workshop on Sept. 19-21 with Carolyn Muskat that will focus on aluminum plate lithos.  This workshop will be an intensive introduction to some of the possibilities within lithography.  One of the more challenging of the printmaking mediums, lithography offers the artist an almost unlimited range of mark-making. Working on aluminum plates, we will cover various drawing and image-making methods, processing with greener, more eco-friendly materials, and printing, including printing in color and registration. Whether you have never tried this exciting medium before, or you want to update your litho skills, this class is for you.  All levels.

To round out the month, Ron Pokrasso will run a five day workshop from September 22- 26 that covers a wide range of techniques possible in the monotype process. Through demonstrations, portfolio presentations, lectures and extensive hands on work time participants will come away with a wealth of information and many new tools for their working process. Using all non-toxic water based Akua products, learn to modify, mix, and layer inks with additive and subtractive approaches, including ink rolling methods, the use of stencils and templates, the reworking of the ghost, contact monotype, viscosity, plate and paper registration, chine colle and collage, drawing, and multiple plate projects. The approach is open as each participant’s individual style will help to dictate the direction of the workshop. All levels.

For more information visit http://www.contemprints.org.  For area information www.visitfairfieldcountyct.com

Contemporary Crafts Gallery presents exhibition of original prints from around the world

Revel in a professional display of recent works by local national and international printmakers; landscapes, portraits, animals, botanicals, representational and abstract original artwork, created by hand using traditional and contemporary printmaking methods. Over 210 diverse images, each print one-foot square, are on view this summer at the 4^th Biennial Footprint International Exhibition, Center for Contemporary Printmaking (CCP), 299 West Ave., in Mathews Park, Norwalk, Connecticut 06850, www.contemprints.org, 203-899-7999.

Waving Goodbye

The call for entries for the “Footprint International” exhibition is sent all over the world, to printmaking ateliers, gallerys, schools and individuals, at least 6 months before the exhibit opens. A juror is designated to reviews the original artworks after they arrive at the gallery, to select works for inclusion in the exhibit and award prizes. The Biennial Footprint International Exhibition is held on even-numbered years, alternating with the Biennial International Miniature Print Exhibition, which is held on odd-numbered years.

Cavemen/Kaliedoscope

The exhibition runs  through Sunday, August 31, 2014 and the hours are Monday through Saturday 9 am to 5 pm, and Sunday, 12 to 5 pm. The Center is closed on July 4. Admission is free, and the gallery is handicapped accessible.  This biennial exhibition is an opportunity for visitors to acquaint themselves with current trends in the art of the original print from around the world. All artwork is for sale. The “footprint” in the exhibition title refers to the size of the artwork on display; each image is a one-foot square print.

The Great Expectation

Prize Winners 

Juror Elisabeth Hodermarsky, Sutphin Family Senior Associate Curator of Prints, Drawings, Photographs at the Yale University Art Gallery awarded Best in Show to Miriam Rudolph, (Minnesota) for her artworks, Waving Goodbye, 2012, intaglio/ chine colle/hand coloring, and Return, 2012, intaglio /chine colle. Elisabeth awarded two Juror Prizes: to Anne Desmet (United Kingdom) for Cavemen/Kaliedoscope, 2014, lithograph/engraving/ collage, and Changing Perspectives – Homage to Piero della Francesca, 2014, engraving/ collage; and to Josef Werner (Germany) for The Silence, 2014, etching/drypoint/embossing and The Great Expectation, 2014, etching/drypoint/embossing.

Two Connecticut artists, both CCP members, received Honorable Mentions: DeAnn Prosia (Newtown,) and Karen Kalkstein (Stamford). In addition, the juror awarded Honorable Mentions to 11 other artists including: Daniel Chiaccio, Kate Higley (New Hampshire);  Katerine Kyselica, Sigita R Pranevicius (New York); Ellen Price (Ohio); Daniela Zekina (Canada); Christa Manz-Dewald (Germany); Aoiffe Layton, Bernadette Madden (Ireland); Adam Czech (Poland); and Kirsty Olivier (South Africa).

Participating Artists

Fairfield and New Haven Counties Well Represented by Area Artists
Other Connecticut artists in the exhibition include: Karen Vogel (Darien); Susan Newbold (Fairfield); Nomi Silverman (Glenville); Marian "Bing” Bingham (Greenwich); Anita Soos (Guilford); Thomas Stavovy (Hamden); Cynthia MacCollum (New Canaan); Oi Fortin, Evie Lindemann, Liz Pagano (New Haven); Binnie Birstein, Karen Brussat Butler, Katharine Draper (Norwalk); Allison Meyler (Ridgefield); Betty Ball, Hanneke Goedkoop, Mindy Green (Rowayton); Lou Hicks (Stamford); Kathleen DeMeo (Wallingford); Brenda Giegerich, Ruth Kalla Ungerer, Cecilia Moy Fradet (Westport); Renee Santhouse (Wilton); Margot K Rocklen (Woodbridge); and Karen Sorensen (Woodbury).

National and International Artists in the Exhibition
Stateside. In the USA, art by other printmakers from New York State towns and cities were by far the largest group, including: RM Gallimari (Astoria); Jane Cooper (Katonah); Christine S. Aaron, Ellen Lazarus, Annette Lieblein (Larchmont); Katharine Dufault, Lynne Lederman (Mamaroneck); Richard Sloat, (New York, New York); Lenny Librizzi (Staten Island); Susan Miller (Sparrow Bush); and Mitchell Visoky (White Plains). Printmakers from other states included: Liz Lyons Friedman (California); Dakota Nanton (Colorado); Sal Sidner (Florida); Karl LeClair (Idaho); Christine Beneman, Scott Schnepf (Maine); Steven Matthews (Maryland); Paula DeSimone, Cheryl Sutton Adams (Massachusetts); Jean Allemeir Boot, Andrew Jagniecki (Michigan); Rachele Unter (New Jersey); Joan Potkay (New Mexico); Anne Cushman (Ohio); Carrie O'Coyle (Oregon); and Sergey Zlotnikov (Pennsylvania).

Overseas. International artists also included a good showing from our neighbors in Canada: Marie
Ange-Brassard, Daemon Baldwin, Peter Barron, Lysandre Donaldson, Ingeborg Jurgensen Hiscox, Louise Simard, Robin Smith Peck; and Cleo Wilkinson (Australia); Savina Montovska, Roland Shneevays (Bulgaria); Gerda Muehl, Marianne Riss (Germany); Aidan Flanagan, Joan Gleeson, Paula Pohli (Ireland); Adiana Lucaciu (Romania); Angus Buchanan, Gervasio Robles, Michele Rolstone (South Africa); Raul Ceville (Italy); Kristina Norvilaite (Lithuania); Toshinori Tanuma (Japan); Bo Cronqvist (Sweden); and Neala Glass (New Zealand).

Vijay Kumar: Etchings, A Retrospective at Center for Contemporary Printmaking

The fall exhibition, featuring a splendid array of original prints by Vijay Kumar, at the The Center for Contemporary Printmaking (CCP), 299 West Ave., in Mathews Park, Norwalk runs through Sunday, November 3, 2013. The Gallery is open Monday through Saturday 9 am to 5 pm, and Sunday, 12 to 5 pm; it is closed Columbus Day and Veterans Day and admission is free.

A narrative is apparent in all of Vijay Kumar’s artworks. When Vijay was a child, he and his family left their home, during the religious strife that troubled India as the country gained its independence from Britain. Traveling the world — from India to the Middle East, Europe and the United States — his artistic focus has centered on the geometry of urban spaces. In the fall exhibition, many pieces are untitled and are essentially architectural, linear jumbles such as stacked houses and buildings. The eighteen prints in the series “India Portfolio,” reflect the sorrow and loss of the refugee. In the background, a New York Times article from Dec 11, 1992, published the headline “Hatreds of India.” Abstracted figures set in conflict or in positions of mourning dominate the series.

Born in Lehore (then part of India) and based in New York City, Vijay Kumar has had numerous solo exhibitions of his drawings, prints and paintings in the United States and abroad.  Vijay is the curator for the Indo-American Arts Council’s annual Erasing Borders Exhibition of Contemporary Indian Art of the Diaspora. He has also curated print shows in New York and Ohio in the United States, and in India. Mr. Kumar teaches printmaking at several graphics centers in New York City, and at the Center for Contemporary Printmaking, in Norwalk, Connecticut.

About the Center for Contemporary Printmaking

The Center for Contemporary Printmaking (CCP) is a non-profit organization dedicated to the art of the print: intaglio, lithography, monotype, silkscreen, woodblock printing, paperworks, book arts, and digital arts. Housed in a handsome 19^th-century stone carriage house, this 5,000- square-foot historical landmark is located at 299 West Avenue in Mathews Park, in Norwalk Connecticut. CCP workshops, gallery, and offices are open Monday through Saturday, 9 am – 5 pm, and Sunday, 12 – 5 pm. The Grace Ross Shanley Gallery features acclaimed exhibitions throughout the year, and is handicapped accessible. Artists who participate in the Artist-in-Residence Program have the opportunity to live and work in the Helen Frankenthaler Printmaking Cottage, adjacent to the main building. Edition printing is offered by the CCP Master Printer and Associate Printer. For more information, please call 203-899-7999 or visit www.contemprints.org. The Center for Contemporary Printmaking is a member of the statewide Connecticut Art Trail, a partnership of seventeen world-class museums and historic sites. 

For area information www.visitfairfieldcountyct.com

Biennial International Miniature Print Exhibition at Center for Contemporary Printmaking

Anne Desmet

The Center for Contemporary Printmaking schedules five major exhibitions per year, in the Grace Ross Shanley Gallery, including an Annual Members' Exhibition, and 3 solo or group shows featuring prominent printmaking artists. The Biennial International Footprint Competition and Exhibition takes place on even-numbered years and the Biennial International Miniature Print Competition and Exhibition takes place on odd-numbered years.

On view through September 1 is the 9th Biennial Miniature Print Exhibition at the Center for Contemporary Printmaking located on 299 West Ave. in Norwalk. Visitors can view 225 tiny prints on the wall and 600 additional miniature prints in loose-leaf portfolios. View original miniature prints from 30 countries worldwide, including Argentina, Austria, Australia, Bangladesh, Bulgaria, Canada, Croatia, England, Estonia, France, India, Ireland, Italy, Japan, Latvia, Lithuania, Mexico, Netherlands, Portugal, Romania, Thailand, Germany, Scotland, Serbia, Slovakia, Slovenia, South Africa, Switzerland, Sweden and the Ukraine.

S. Ragavan

A series of workshops are also being offered in July. To register for a workshop call 203-899-7999 or email info@contemprints.org.

On July 17 there will be a workshop on the figure and the monotype with Monitor Nomi Silverman from 6 to 9 pm and is open to 6 participants. Participants in this class will work from the model, using printing inks and working in much the same way as Degas. The work is printed with the assistance of artist/printmaker Nomi Silverman. Subsequent reworked impressions can also be pulled to achieve depth of color. Or as Degas frequently did, a second paler or ghost impression can also be printed and used as a ground for later pastel additions.

A two day weekend workshop on painterly solarplate prints will take place from July 20-July 21 with Kate McGloughlin.  Participants will create a suite of painterly prints using solar plates and monoprinting techniques to realize their imagery. Workshop participants are invited to bring existing solar plates, or create new ones, using wet and dry media to discover the rich visual vocabulary achieved by various inking and wiping techniques.

A four-day workshop will take place from July 26- July 29 on the painterly print with Julio Valdez. his intensive workshop combines two of the most exciting and safe contemporary printmaking techniques: "silk aquatint" and "monotype". Participants use waterbased inks and a silk aquatint (silk collagraph) plate, a non-acid alternative to etching, to create a series of prints and related works on paper.

For more information visit http://www.contemprints.orghttp://www.contemprints.org.  For area information visit www.visitfairfieldcountyct.com.

Charlie Hewitt Cut & Printed at the Center for Contemporary Crafts Jan 22- March 12

The Center for Contemporary Crafts in Norwalk CT has announced a new exhibit that will be on view from January 22 to March 12, 2012. The name of the exhibit is Charlie Hewitt: Cut and Printed, Recent Color Woodcuts. The opening reception is on Sunday, January 22 from 2 PM to 5 PM.

Charlie Hewitt is a printmaker, painter and sculptor, who has taught extensively since 1986 at schools including Dartmouth College and Fordham University. He has had many solo exhibitions and has his work in major private and public collections including the Museum of Modern Art, The Whitney Museum of Art, The Metropolitan Museum of Art, The Brooklyn Museum, the New York Public Library, The Library of Congress and the Portland Museum of Art.

In addition to the exhibition, Charlie Hewitt will be leading a workshop, "Wet-On Wet Woodcut Intensive", with Master Printer David Wolfe from February 17th – 19th at the studios located at the Center for Contemporary Crafts. They will co-teach this workshop in multi-colored woodcut and relief printing methods. Students cut and print using a wet-on-wet ink process that produces a spontaneous, immediate print. The workshop concentrates on creating unique print variations by working with a variety of cutting and inking techniques. Participants need to bring their own tools if they have them. Tools will also be available for those that do not own them. To register please visit the website at www.contemprints.org, or call 203-899-7999.

Two additional workshops are offered in January. Mezzotint with Carol Wax is offered from Jan. 27 through Jan. 29 from 10 AM – 4 PM. This worshop features direct, non-toxic engraving with the resulting luminous prints with rich tones and dramatic lighting effects. Participants will learn the most efficient way to prepare a mezzotint ground, proper care and handling of tools, image making and printing techniques, alternative grounding methods (no rocking!), use of mezzotint with other intaglio techniques, color printing, registration methods, cool tricks and more.

There is also a 6-week evening workshop on Carborundum aquatint that takes place on Wednesdays, from January 18 through February 21. The workshop includes 6 hours of studio time per week, during the workshop session.

Carborundum aquatint is a painterly intaglio technique in which the artist paints directly on a Plexiglas plate with a mixture of carborundum grit and acrylic medium. When dry, the plate is inked and wiped as an etching. Using a variety of sizes of grit, a printmaker can achieve a wide range of tones. Participants will also explore multiple plate registration methods and printing in color.

The Center for Contemporary Printmaking is located in Mathews Park, 299 West Avenue Norwalk, CT 06850 203.899.799. The website is www.contemprints.org.

New Exhibition at the Center for Contemporary Printmaking Sept. 18- Nov. 13

The new exhibition, featuring artist Jack Boul, at The Center for Contemporary Printmaking (CCP) opens on Sunday, September 18 at 2 pm, and is on view through Sunday, November 13, 2011. This exhibition is a northeast premiere, for an accomplished artist and educator whose idyllic landscapes and scenes of everyday life at home and abroad are well known in the Washington DC area.

On view are over 150 works representing subject matter that has concerned and inspired this artist for decades. His signature cows and dancers appear throughout the Grace Ross Shanley Gallery at CCP, sometimes as printmaker's monotypes, again as painter's oils on board, and yet again as sculptor's bronzes.

At the heart of the exhibition are Jack Boul's monotypes, depicting dancers and cityscapes, cows and graineries, guitarists, musicians, and wait staff. "For this artist, there is no perceived hierarchy in his studio, where his two etching presses are a few feet away from his easel, always at the ready", writes Anthony Kirk, curator of the exhibition. At CCP, Artistic Director and Master Printer Anthony Kirk helped the artist translate a number of his monotypes into photopolymer intaglio plates. Several recent editions made from these plates are included in the exhibition.

Jack Boul was born in Brooklyn, in 1927, the son of a Russian émigré father and a Romanian mother. Boul first studied art at the American Artist's School, and then he studied at the Cornish School of Art, on the GI Bill. He moved to Washington DC, and continued his art studies at American University, where he eventually joined the art faculty, and was a distinguished professor for 15 years. In 1984, Boul was a founding faculty member of the new Washington Studio School, where he taught painting, drawing and monotype for ten years before retiring in 1994, to devote his full time to printmaking and painting. His first museum exhibition was held at the Baltimore Museum of Art, in 1994. The Corcoran Gallery of Art held a career retrospective for the artist, in 2000. The National Gallery of Art and the Metropolitan Museum of Art own impressions of his monotypes.

Exhibition-related Events

The Center for Contemporary Printmaking (CCP) is conducting a writing competition, based on the "soulful" works of Jack Boul, in collaboration with Ina Chadwick's MouseMuse Productions, an arts partnering company located in Westport, CT. Entry deadline for the competition, named "Déjà Vu", is September 23, 2011 at 5 pm. The winning works will be read by professional actors at a CCP festive awards ceremony and reception, on Sunday, November 13, 2011, at 4 pm. For more information, visit www.contemprints.org/writers.

Reception

The public is invited to the opening reception for the new exhibition, Jack Boul: Intimate Scale: Paintings, Sculptures, Monotypes Sunday, September 18, from 2 – 5 pm, at the Center for Contemporary Printmaking. Rumor has it that Jack Boul and his son, David, may be in attendance. Refreshments will be served. Admission is free.

The Center for Contemporary Printmaking

Normal hours are Monday through Saturday 9 am to 5 pm, and Sunday, 12 to 5 pm. The gallery is located at 299 West Ave., in Mathews Park, Norwalk, CT., 203-899-7999, www.contemprints.org. Admission is free, and the gallery is handicapped accessible.

Painting Caption: On a Grey Day