Biennial International Miniature Print Exhibition at Center for Contemporary Printmaking

Anne Desmet

The Center for Contemporary Printmaking schedules five major exhibitions per year, in the Grace Ross Shanley Gallery, including an Annual Members' Exhibition, and 3 solo or group shows featuring prominent printmaking artists. The Biennial International Footprint Competition and Exhibition takes place on even-numbered years and the Biennial International Miniature Print Competition and Exhibition takes place on odd-numbered years.

On view through September 1 is the 9th Biennial Miniature Print Exhibition at the Center for Contemporary Printmaking located on 299 West Ave. in Norwalk. Visitors can view 225 tiny prints on the wall and 600 additional miniature prints in loose-leaf portfolios. View original miniature prints from 30 countries worldwide, including Argentina, Austria, Australia, Bangladesh, Bulgaria, Canada, Croatia, England, Estonia, France, India, Ireland, Italy, Japan, Latvia, Lithuania, Mexico, Netherlands, Portugal, Romania, Thailand, Germany, Scotland, Serbia, Slovakia, Slovenia, South Africa, Switzerland, Sweden and the Ukraine.

S. Ragavan

A series of workshops are also being offered in July. To register for a workshop call 203-899-7999 or email info@contemprints.org.

On July 17 there will be a workshop on the figure and the monotype with Monitor Nomi Silverman from 6 to 9 pm and is open to 6 participants. Participants in this class will work from the model, using printing inks and working in much the same way as Degas. The work is printed with the assistance of artist/printmaker Nomi Silverman. Subsequent reworked impressions can also be pulled to achieve depth of color. Or as Degas frequently did, a second paler or ghost impression can also be printed and used as a ground for later pastel additions.

A two day weekend workshop on painterly solarplate prints will take place from July 20-July 21 with Kate McGloughlin.  Participants will create a suite of painterly prints using solar plates and monoprinting techniques to realize their imagery. Workshop participants are invited to bring existing solar plates, or create new ones, using wet and dry media to discover the rich visual vocabulary achieved by various inking and wiping techniques.

A four-day workshop will take place from July 26- July 29 on the painterly print with Julio Valdez. his intensive workshop combines two of the most exciting and safe contemporary printmaking techniques: "silk aquatint" and "monotype". Participants use waterbased inks and a silk aquatint (silk collagraph) plate, a non-acid alternative to etching, to create a series of prints and related works on paper.

For more information visit http://www.contemprints.orghttp://www.contemprints.org.  For area information visit www.visitfairfieldcountyct.com.

Charlie Hewitt Cut & Printed at the Center for Contemporary Crafts Jan 22- March 12

The Center for Contemporary Crafts in Norwalk CT has announced a new exhibit that will be on view from January 22 to March 12, 2012. The name of the exhibit is Charlie Hewitt: Cut and Printed, Recent Color Woodcuts. The opening reception is on Sunday, January 22 from 2 PM to 5 PM.

Charlie Hewitt is a printmaker, painter and sculptor, who has taught extensively since 1986 at schools including Dartmouth College and Fordham University. He has had many solo exhibitions and has his work in major private and public collections including the Museum of Modern Art, The Whitney Museum of Art, The Metropolitan Museum of Art, The Brooklyn Museum, the New York Public Library, The Library of Congress and the Portland Museum of Art.

In addition to the exhibition, Charlie Hewitt will be leading a workshop, "Wet-On Wet Woodcut Intensive", with Master Printer David Wolfe from February 17th – 19th at the studios located at the Center for Contemporary Crafts. They will co-teach this workshop in multi-colored woodcut and relief printing methods. Students cut and print using a wet-on-wet ink process that produces a spontaneous, immediate print. The workshop concentrates on creating unique print variations by working with a variety of cutting and inking techniques. Participants need to bring their own tools if they have them. Tools will also be available for those that do not own them. To register please visit the website at www.contemprints.org, or call 203-899-7999.

Two additional workshops are offered in January. Mezzotint with Carol Wax is offered from Jan. 27 through Jan. 29 from 10 AM – 4 PM. This worshop features direct, non-toxic engraving with the resulting luminous prints with rich tones and dramatic lighting effects. Participants will learn the most efficient way to prepare a mezzotint ground, proper care and handling of tools, image making and printing techniques, alternative grounding methods (no rocking!), use of mezzotint with other intaglio techniques, color printing, registration methods, cool tricks and more.

There is also a 6-week evening workshop on Carborundum aquatint that takes place on Wednesdays, from January 18 through February 21. The workshop includes 6 hours of studio time per week, during the workshop session.

Carborundum aquatint is a painterly intaglio technique in which the artist paints directly on a Plexiglas plate with a mixture of carborundum grit and acrylic medium. When dry, the plate is inked and wiped as an etching. Using a variety of sizes of grit, a printmaker can achieve a wide range of tones. Participants will also explore multiple plate registration methods and printing in color.

The Center for Contemporary Printmaking is located in Mathews Park, 299 West Avenue Norwalk, CT 06850 203.899.799. The website is www.contemprints.org.

Fall Impressionist Painting Workshop at Weir Farm in Wilton CT

There has been a tradition of Impressionist painting at Weir Farm National Historic Site since Julian Alden Weir, the father of American Impressionism, acquired this rural, rustic retreat in Branchville, Connecticut in 1882.

To honor as well as to continue this tradition, Weir Farm National Historic Site will be offering a two-day Fall Impressionist Painting Workshop on Saturday and Sunday October 1 and 2 from 10:00 a.m. to 3:00 p.m. This workshop is designed for intermediate and advanced art students and artists interested in learning more about the science and poetry of Impressionist landscape painting.

Participants must have a basic understanding of their selected art form and be able to handle their own equipment for plein air fieldwork as well as for the studio workshop environment.

Workshops will include introductory classroom lectures, field demonstrations, and critique of the participant's artwork. Registration for this workshop is free, but space is limited to twelve artists, so please call early to secure a spot!

First choice will be given to artists who have not participated in a previous Impressionist Painting Workshop at Weir Farm National Historic Site. However, for those artists who wish to return, names will be placed on a wait-list and be considered as space allows.

To register or for more information, please call (203) 834-1896 ext.10. This workshop is just one in a series that will be offered at Weir Farm National Historic Site.

The How to be an Impressionist Painter Workshop Series will be taught by Impressionist artist and educator Dmitri Wright, of Greenwich, Connecticut. Mr. Wright seeks to continue the Impressionist discipline through his preservation and progress of American Impressionism as the artist-in-residence of the Historical Society of the Town of Greenwich and as an instructor of Impressionist drawing and painting at the Greenwich Art Society, Silvermine School of Art, and Weir Farm National Historic Site.

Visitors to Weir Farm National Historic Site are always invited to set up their easels and paint this unspoiled landscape that has inspired impressionists for years.

About Weir Farm

Weir Farm National Historic Site was home to three generations of American artists. Julian Alden Weir, a leading figure in American art and the development of American Impressionism, acquired the farm in 1882. After Weir, the artistic legacy was continued by his daughter, painter Dorothy Weir Young and her husband, sculptor Mahonri Young, followed by New England painters Sperry and Doris Andrews. Today, the 60-acre farm, which includes the Weir House, Weir and Young Studios, barns, gardens, and Weir Pond, is one of the nation's finest remaining landscapes of American art. For more information about Weir Farm National Historic Site or the National Park Service, please visit www.nps.gov/wefa or call (203) 834-1896.