Closer: The Graphic Art of Chuck Close at The Bruce Museum

The Bruce Museum in Greenwich is presenting Closer: The Graphic Art of Chuck Close in the main Love, Newman Wild Galleries through January 5, 2013 with a portion on view in the Lecture Gallery through January 26.

With a body of work composed almost entirely of portraits, the American artist Chuck Close has been astounding us with his artistic verisimilitude for more than four decades. His prints, especially, are adventures in problem solving: working from the particularities of each print medium – woodcut, etching, silkscreen, linocut, aquatint, pulp-paper multiple – he gives his imagination free rein to reconceive their aesthetic possibilities. Although a spirit of experimentation characterizes Close's work across all media, it is particularly evident in the wide-ranging scope of his printed production.

Chuck Close announced his arrival on the contemporary art scene with his large-scale, black-and-white airbrushed heads, paintings based on photographs he had transferred to canvas by means of a grid. Recognition came quickly: his work was shown at the Whitney Museum of American Art, New York, in 1969, followed by a solo exhibition at New York's Bykert Gallery in 1970 and a one-man show at the Los Angeles County Museum of Art in 1971. In 1972 he created the first print of his professional career, a mezzotint, which began a life-long engagement with the aesthetics and technology of printmaking. The collaborative nature of this work has been vital to the artist's creative process: working with master printers, Close alters one or several variables to create endless permutations in a wide variety of print techniques, usually recycling past portraits of himself, his family, and his friends.

The Bruce Museum is also sponsoring a lecture series relating to this exhibition on Dec. 12 beginning at 7:30 p.m. and is titled Closer: The Art of Chuck Close in the Context of the 1970s that is being led by  Kenneth Silver, PHD, Professor of Art History, New York University, Adjunct Curator of Art, Bruce Museum.  There will be a dessert reception for both lectures from 6:30 p.m. - 7:30 p.m. and reservations are required.  Visit www.brucemuseum.org to make reservations. 

Closer: The Graphic Art of Chuck Close is accompanied by a generously illustrated catalogue by the same title. A lecture series and film series will also complement the exhibition.

About the Bruce Museum

Explore Art and Science at the Bruce Museum, located at One Museum Drive in Greenwich, Connecticut. The Museum is open Tuesday through Saturday from 10 am to 5 pm and Sunday from 1 pm to 5 pm; closed Mondays and major holidays. Admission is $7 for adults, $6 for students up to 22 years, $6 for seniors and free for members and children under 5 years. Individual admission is free on Tuesday. Free on-site parking is available and the Museum is accessible to individuals with disabilities. For additional information, call the Bruce Museum at 203 869-0376 or visit the website at www.brucemuseum.org.  

 

Get Real at the Bruce Museum

Martin Lewis (American, 1881-1962) Above the Yards, Weehawken, 1918 Aquatint and etching, 17 ½ x 23 ¼”

Collection of Dr. Dorrance T. Kelly ©Estate of Martin Lewis

Highlighting the work of nine American artists who at the beginning of the twentieth century were inspired by the world around them to realistically depict everyday scenes, the Bruce Museum presents the new exhibition Telling American History: Realism from the Print Collection of Dr. Dorrance T. Kelly from August 31 through December 1, 2013.

The show features more than 40 original fine art prints including lithographs and etchings that chronicle daily life – the bustle of urban streets, boisterous moments of leisure, modern modes of transportation, and bucolic rural images – by leading artists who approached their subject matter through the lens of realism: George Bellows (1882-1925), Thomas Hart Benton (1889-1975), Edward Hopper (1882-1967), Martin Lewis (1881-1962), Reginald Marsh (1898-1954), John Sloan (1871-1951), Benton Murdoch Spruance (1904-1967), Stow Wengenroth (1906-1978), and Grant Wood (1891-1942).

The artworks present visitors with a snapshot of America from 1905 through 1967. Each print featured in the exhibition was chosen for its subject matter and artistic merit and placed together they present windows into scenes of America's past. Set amid a backdrop of events such as World War I, the Great Depression, New Deal programs, and World War II, the country was experiencing changes in its cultural, geographic, and demographic nature. The nation experienced a great upheaval as citizens and immigrants alike flocked to urban areas in hopes of greater economic prospects. At the same time, advances in technology and transportation were transforming rural regions.

Martin Lewis - Misty Night, Danbury, 1949

Drawn from different areas of the country, the artists shared a similar goal of creating artwork that was available to all. They embraced realism, using it to capture images of modern American society as it quickly changed around them.   This distinguished their work from the traditional, idealized and romanticized work of European art. By illustrating everyday scenes, the artists featured in this show created connections for the average American and invited them to become part of the artistic dialog,because their images appealed through accessible subject matter and to the pocketbook of the everyday person.

A fully illustrated catalogue of the show will be available in the Bruce Museum Store. A series of public programs will be offered to complement the show, including Monday morning lectures, hands-on printmaking workshops for adults and students, a program for families with toddlers and one for seniors suffering from memory loss, as well as school tours.

   

Wengenroth Grand Central, Lithograph, 1949

About the Bruce Museum

Explore Art and Science at the Bruce Museum, located at One Museum Drive in Greenwich, Connecticut. The Museum is open Tuesday through Saturday from 10 am to 5 pm and Sunday from 1 pm to 5 pm; closed Mondays and major holidays. Admission is $7 for adults, $6 for students up to 22 years, $6 for seniors and free for members and children under 5 years. Individual admission is free on Tuesday. Free on-site parking is available and the Museum is accessible to individuals with disabilities. For additional information, call the Bruce Museum at (203) 869-0376 or visit the website at www.brucemuseum.org.

For area information www.visitfairfieldcountyct.com

The art of George Lawrence Nelson in Kent

Portrait of the Hirschberg/Nelson family by George Laurence Nelson, Kent Historical Society

The Seven Hearths, the Kent Historical Society Museum, will re-open this summer after being closed for two years with a series of new art exhibits focusing on the life and work of George Laurence Nelson. The Seven Hearths Museum is located on Rte. 7 north of Kent center on the corner of Studio Hill Road in Kent in the historic Flanders area that was once the original center of Kent.

George Laurence Nelson, trained at the Art Students League and the National Academy, and began teaching at the Art Students League in his early 20s. Nelson was among the founders of the Litchfield Hills Art Colony, and later one of the nine founders of the Kent Art Association. 

The Litchfield Hills Art Colony played a meaningful role on a national scale in twentieth century American art. George Laurence Nelson's studio in Seven Hearths is the only remnant of the colony that is open to the public today.

Set within Nelson's beloved pre-Revolutionary Seven Hearths, which he donated to the Historical Society located on Rte. 7 in Kent Connecticut in the heart of the Litchfield Hills, the Historical Society is presenting three changing exhibits of Nelson’s work in August, September and October.

Floral Painting by Nelson

The August exhibit beginning on the 3^rd and running through the 25^th will feature large and interesting selection of Nelson portraits.  He made his money by doing portraits, and the subjects range from well-known celebrities such as Arturo Toscanini, to NYC society dames, to familiar local faces such as Frank Goodsell as a child.

In September from the 1^st to the 29^th Nelson’s floral paintings will be on display.  While he made money-painting portraits, his heart was devoted to stunning renditions of the lovely flowers that he and his wife Helen grew in their gardens at Seven Hearths. Some are exquisitely colored oil paintings and some are perfectly detailed pencil drawings. Some even are featured on the cover of matchboxes!

Toscanini by Nelson

A show that will fill the Seven Hearths Museum with works by Nelson that are borrowed from private collections will be the final exhibit of the season and will take place from October 5 – 27. 

The museum is open Saturdays and Sundays from10 a.m. to 4 p.m. throughout the month.

Call the Historical Society office, 860-927-4587 or visit the web site for more information www.kenthistoricalsociety.org.

For area information www.litchfieldhills.com