Small Works! at Carriage Barn Arts Center

The Small Works! art exhibition at the Carriage Barn Arts Center runs through December 21 and highlights small scale art. The work on view by 50 artists, mainly from Connecticut and New York, range from delicate drawings, paintings, and photographs to finely crafted sculpture and ceramics. The juror of the exhibition is Lee Findlay Potter, Director of the David Findlay Jr. Gallery in New York, which specializes American painting and sculpture from the late 19th century to the present. Lee is the fifth generation of art dealers in her family and her father David Findlay is a long-time resident of New Canaan.

Birds, by Isadora Lecuona Machado

Miniature works for the show were thoughtfully selected to provide a a historical and educational context for some of the contemporary art in the show. The history of miniature art goes back to the earliest periods of artistic production. The exhibition includes miniature manuscripts and Old Master prints, thereby tracing the evolution of such intimate gem-like works that require close examination. An early illuminated manuscript leaf exemplifies the painstaking attention to detail in medieval and early Renaissance devotional works. Two later examples of the highly sophisticated art of printmaking from the 1600s are Wenceslaus Hollar's masterful etchings. Hollar, a leading 17th century Bohemian printmaker, made a notable series of tiny etchings after the Renaissance sketches in the renowned collection of Thomas Howard, Earl of Arundel, who intended to catalogue his drawings.

These early examples of miniature art are juxtaposed with contemporary works to provide a deeper understanding of their changing functions and meanings over time. The painting on an antique book cover by New York artist Holland Cunningham is contrasted with an early printed mathematical manuscript dated 1734 that has tiny decorative illustrations. Italian Renaissance paintings provide the inspiration for David Barnett's assemblages in shadow boxes, notably the Madonna whose head with a golden halo is placed on a body made up of mechanical parts. Another re-interpretation of a Renaissance painting is Isadora Machado's intricate pen drawing of the Mona Lisa. Machado's elaborate and patterned drawings of moths and birds have the luminescent and decorative quality of early stained glass windows. Robbii Wessen's assemblages of found organic and mechanical elements recall the imaginative objects from Renaissance cabinets of curiosity. Other such fanciful creations include the ceramic Pot Heads by Connie Nichols, literally tiny pots with whimsical heads on top.

The exhibition transitions to a group of abstract works, beginning with some examples of the recently deceased Sal Sirugo (1920-2013), who has been called "a hidden treasure of the Abstract Expressionist movement". Sirugo began creating highly original works in the late 1940s, but while many of his Abstract Expressionist contemporaries worked on huge canvases, he preferred to work in more modest dimensions. His miniature ink drawings on paper have a mysterious, meditative quality that draw the viewer into his unique way of seeing.

To accompany this show, there will be a Children's Art Workshop led by Nancy Scranton on December 7 and 14. The Gallery hours are Wed.-Sat., 10 am - 3 pm; Sunday, 1 - 5 pm. The gallery is located in Waveny Park, New Canaan. For more information, visit www.carriagebarn.org

Torrington is New Home for Karen Rossi Studios

Internationally known artist Karen Rossi is excited to call Torrington her new home. Rossi's new studio is located in the heart of Torrington in the Allen Building at 27 East Main Street and houses a gallery, showroom, workspace and classroom area.

 Rossi is highly regarded for her original metal sculptures has created more than 500 original characters... celebrating the seasons, holidays, professions, friends and family, children, hobbies and a host of other life-inspired themes. Her whimsical work features metal as well as broken crystals, charms and other embellishments that make them eye catching and unique. 

Rossi is most known for her giftware designs known as Fanciful FlightsTM, which she has licensed to major companies, enjoying worldwide sales. Fanciful Flights are metal caricatures of people adorned by charms that tell the story of a person's hobby or profession. Long before Rossi was involved with arts licensing, her originals were commissioned and collected by the likes of Neiman Marcus, Booz, Allen & Hamilton, lobbies of Hospitals, and the Hartford Courant. 

Karen's themed groupings of artwork include: Animal Kingdom, On the Road, Celestial, Christmas, Halloween, the Glorious Garden, Just for Kids, Paradise Island, Ladies with Red Hats, Festivities of Faith, Bistro, Girlfriends, Celebration and Fanciful Flights TM. For details of this artwork visit http://www.karenrossi.com.

The 27 East Main Street destination will feature demos and crafting workshops including painting on glass and Mosaics. Rossi has been hosting Art Parties for over 30 years and is particularly excited to offer, "Make your own T-town ballerinas and Mad River Mermaids." The artist has been involved with several CT Art communities and is excited to showcase the work of comrades and guest Artisans from Hartford, New Haven, South, and the Litchfield Hills. The new studio will also feature a clearance area for sales of retired Rossi giftware.

Pasture to Pond: Connecticut Impressionism

Pasture to Pond: Connecticut Impressionism  at the Bruce Museum in Greenwich, CT,  runs through June 22, brings American Impressionism back to its roots, according to the Museum’s Executive Director, Peter C. Sutton.

Davis_Uplands 

Charles H. Davis, (American, 1856-1933) 

Summer Uplands, n.d. 

 “The history of art proves that Connecticut has long been one of the most fertile states for the creation of new art movements,” says Peter Sutton. “In no small measure it was the birthplace of American Impressionism.”

Drawn from the permanent collection of the Bruce, private collectors, area museums, and the trade, this exhibition of more than 25 works of American Impressionism speaks to the quality and beauty of this perennially popular art, and to Connecticut’s important role in its creation.

Before the turn of the 20^th century, Connecticut was a logical birthplace for American Impressionism, as artists sought a nearby, rural respite from the burgeoning urban and rapidly industrializing world. While their artistic predecessors, the landscape painters of the Hudson River School, had championed dramatic landscapes of panoramic sweep and awe-inspiring majesty, the artists who came of age after the calamity and chaos of the Civil War sought a more intimate, bucolic and orderly landscape.  They found these reassuring views among the farms, rolling hills, rivers and picturesque shoreline of Connecticut.

Metcalf_Autumn 

Willard Leroy Metcalf, (American, 1858-1925)

While steeped in pre-Revolutionary history, Connecticut was readily accessible by train to these escaping urbanites, many of whom had winter studios in New York City.  Artists’ colonies sprang up in Cos Cob and Old Lyme and landscapists took to recording favored sites in places like Branchville, Farmington, Mystic and the Litchfield Hills.  The names of these artists – John H. Twachtman, J. Alden Weir, Childe Hassam, and Willard Metcalf – are among the most famous landscapists in American art history.  While some, like Robinson, made regular pilgrimages to France to paint alongside the great French Impressionist Claude Monet, others learned the style second hand, and collectively they made it a uniquely American manner.

“Several of the artists featured in the show exhibited in the famous Armory Show in New York in 1913, which is generally regarded as the watershed moment that introduced Modern Art and the likes of Marcel Duchamp to America,” says Peter Sutton.  “It is with pleasure then that we remember with this exhibition an era of enduring local creativity and the celebration of the beauty of our own special corner of New England.”

Crane_Harvest Moon 

Bruce Crane, (American, 1857-1937) 

Pasture to Pond: Connecticut Impressionism is generously underwritten by People’s United Bank, a Committee of Honor co-chaired by Leora Levy and Alice Melly, a grant from the Connecticut Office of the Arts, and The Charles M. and Deborah G. Royce Exhibition Fund.

And when you go, don’t forget your cell phone:  This exhibition, like many others at the Bruce, will be accompanied by a compelling cell phone audio tour guide program, Guide by Cell, generously 

The art of George Lawrence Nelson in Kent

Portrait of the Hirschberg/Nelson family by George Laurence Nelson, Kent Historical Society

The Seven Hearths, the Kent Historical Society Museum, will re-open this summer after being closed for two years with a series of new art exhibits focusing on the life and work of George Laurence Nelson. The Seven Hearths Museum is located on Rte. 7 north of Kent center on the corner of Studio Hill Road in Kent in the historic Flanders area that was once the original center of Kent.

George Laurence Nelson, trained at the Art Students League and the National Academy, and began teaching at the Art Students League in his early 20s. Nelson was among the founders of the Litchfield Hills Art Colony, and later one of the nine founders of the Kent Art Association. 

The Litchfield Hills Art Colony played a meaningful role on a national scale in twentieth century American art. George Laurence Nelson's studio in Seven Hearths is the only remnant of the colony that is open to the public today.

Set within Nelson's beloved pre-Revolutionary Seven Hearths, which he donated to the Historical Society located on Rte. 7 in Kent Connecticut in the heart of the Litchfield Hills, the Historical Society is presenting three changing exhibits of Nelson’s work in August, September and October.

Floral Painting by Nelson

The August exhibit beginning on the 3^rd and running through the 25^th will feature large and interesting selection of Nelson portraits.  He made his money by doing portraits, and the subjects range from well-known celebrities such as Arturo Toscanini, to NYC society dames, to familiar local faces such as Frank Goodsell as a child.

In September from the 1^st to the 29^th Nelson’s floral paintings will be on display.  While he made money-painting portraits, his heart was devoted to stunning renditions of the lovely flowers that he and his wife Helen grew in their gardens at Seven Hearths. Some are exquisitely colored oil paintings and some are perfectly detailed pencil drawings. Some even are featured on the cover of matchboxes!

Toscanini by Nelson

A show that will fill the Seven Hearths Museum with works by Nelson that are borrowed from private collections will be the final exhibit of the season and will take place from October 5 – 27. 

The museum is open Saturdays and Sundays from10 a.m. to 4 p.m. throughout the month.

Call the Historical Society office, 860-927-4587 or visit the web site for more information www.kenthistoricalsociety.org.

For area information www.litchfieldhills.com