The Aldrich Contemporary Art Museum Opens new Installation by David Brooks

The Aldrich Museum of Contemporary Art located on 258 Main Street in the heart of Ridgefield is has commissioned a new installation by artist David Brooks that runs through February 5, 2017. This marks the artist's first solo museum exhibition. Throughout his practice, Brooks investigates the tenuous relationship between our ecological life and technological industry.

Brooks (born 1975, Brazil, Indiana) will present every single part of a used 1976 John Deere 3300 combine harvester at The Aldrich, with the components laid out in varying degrees of disassembly in a procession from the front plaza through the Leir Atrium and Leir Gallery and out into the Museum's sculpture garden. Distinctive elements like the corn head and cab remain unaltered in a weathered John Deere green, while other parts are sandblasted, removing rust, paint and all traces of wear and tear; still others, like pipes and fittings, are brass-plated and housed in museum vitrines, the traditional trappings of highbrow art objects or precious natural history displays.

A combine is the ultimate example of agricultural technology, the otherworldly design of its bulky metal body concealing the integration of all stages of the harvesting process into one machine designed to reap grain, a resource that the efficiency of a combine allows us to take for granted as eternally and inexpensively available.

The stunning array of dismantled machine parts, exhibited in a diverse system of presentation, are designated according to the ecosystem service they represent, making it impossible to conceive of the combine in its entirety or to determine the machine's complete functionality; similarly, an ecosystem integrates innumerable processes, many of them intangible or undetectable, into one whole, making it impossible for us to conceive of a life unfolding within it.

This installation, Continuous Service Altered Daily asks us to reexamine our perception of products reaped from the landscape, oftentimes those too easily interpreted as "services" for personal use: water, food, clean air, climate, energy—things we have come to expect to be delivered to us forever.

The Aldrich is located at 258 Main Street, Ridgefield, CT. For more information, call 203.438.4519 or visit www.aldrichart.org. For more area information www.litchfieldhills.com

The Museum

Founded by Larry Aldrich in 1964, The Aldrich Contemporary Art Museum is dedicated to fostering the work of innovative artists whose ideas and interpretations of the world around us serve as a platform to encourage creative thinking. It is the only museum in Connecticut devoted to contemporary art, and throughout its fifty-year history has engaged its community with thought-provoking exhibitions and public programs.

The Museum's education and public programs are designed to connect visitors of all ages to contemporary art through innovative learning approaches in hands-on workshops, tours, and presentations led by artists, curators, Museum educators, and experts in related fields. Area schools are served by curriculum-aligned on-site and in-school programs, as well as teachers' professional development training.

Closer: The Graphic Art of Chuck Close at The Bruce Museum

The Bruce Museum in Greenwich is presenting Closer: The Graphic Art of Chuck Close in the main Love, Newman Wild Galleries through January 5, 2013 with a portion on view in the Lecture Gallery through January 26.

With a body of work composed almost entirely of portraits, the American artist Chuck Close has been astounding us with his artistic verisimilitude for more than four decades. His prints, especially, are adventures in problem solving: working from the particularities of each print medium – woodcut, etching, silkscreen, linocut, aquatint, pulp-paper multiple – he gives his imagination free rein to reconceive their aesthetic possibilities. Although a spirit of experimentation characterizes Close's work across all media, it is particularly evident in the wide-ranging scope of his printed production.

Chuck Close announced his arrival on the contemporary art scene with his large-scale, black-and-white airbrushed heads, paintings based on photographs he had transferred to canvas by means of a grid. Recognition came quickly: his work was shown at the Whitney Museum of American Art, New York, in 1969, followed by a solo exhibition at New York's Bykert Gallery in 1970 and a one-man show at the Los Angeles County Museum of Art in 1971. In 1972 he created the first print of his professional career, a mezzotint, which began a life-long engagement with the aesthetics and technology of printmaking. The collaborative nature of this work has been vital to the artist's creative process: working with master printers, Close alters one or several variables to create endless permutations in a wide variety of print techniques, usually recycling past portraits of himself, his family, and his friends.

The Bruce Museum is also sponsoring a lecture series relating to this exhibition on Dec. 12 beginning at 7:30 p.m. and is titled Closer: The Art of Chuck Close in the Context of the 1970s that is being led by  Kenneth Silver, PHD, Professor of Art History, New York University, Adjunct Curator of Art, Bruce Museum.  There will be a dessert reception for both lectures from 6:30 p.m. - 7:30 p.m. and reservations are required.  Visit www.brucemuseum.org to make reservations. 

Closer: The Graphic Art of Chuck Close is accompanied by a generously illustrated catalogue by the same title. A lecture series and film series will also complement the exhibition.

About the Bruce Museum

Explore Art and Science at the Bruce Museum, located at One Museum Drive in Greenwich, Connecticut. The Museum is open Tuesday through Saturday from 10 am to 5 pm and Sunday from 1 pm to 5 pm; closed Mondays and major holidays. Admission is $7 for adults, $6 for students up to 22 years, $6 for seniors and free for members and children under 5 years. Individual admission is free on Tuesday. Free on-site parking is available and the Museum is accessible to individuals with disabilities. For additional information, call the Bruce Museum at 203 869-0376 or visit the website at www.brucemuseum.org.  

 

Summer Exhibits at Silvermine Arts Center

Kite Charles Hinman and Master Printer Gary Lichtenstein

Silvermine Arts Center, located in New Canaan, CT will be kicking off its summer exhibitions with an exciting collaboration of works by Charles Hinman and Gary Lichtenstein, and new works by Guild Artist Christ Durante. Silvermine's new Viewing Room features presentations of new works on paper by Guild Artists Roger Mudre and Robert Gregson. The exhibitions will open on Sunday, July 28th with a reception from 2pm-4pm, and will run through September 7th.

"Kites" features the latest collaborative silkscreens between three dimensional painting pioneer Charles Hinman and Master Printer Gary Lichtenstein. A working relationship which began in 2011 with their prints Gems, this latest body of work continues their exploration into translating the visual vocabulary of Hinman's signature hard-edged shaped canvas into the realm of prints. By combining a mutual understanding of color and the use of subtle hand embossing, they have created a suite of prints that epitomizes the core of Hinman's ideology: "Though the works at first glance appear serene and placid, they are ever changing as the surface of the ocean or the expanse of the sky. Ever dynamic, they are ever alive."

A prime example of this idea can be seen in Kite 2. At first glance, the silkscreen faithfully reconstructs Hinman's paintings down to the inclusion of subtle lines referencing the support system of his three dimensional work. As the viewer gazes at the work, the true complexity of its arrangement of space unfolds into an ever changing visual experience that expands upon Mr. Hinman's longstanding commitment to visual perceptions of space.

In his new exhibit "No Mans Land," Guild Artist Chris Durante has constructed an environment of what he calls "considered hanging," where viewers can visually and physically traverse his works. An artist who is never satisfied with making work that neatly fits into prescribed categories, Durante continually explores and blurs the lines between mediums and artistic genres. Using a combination of paintings, drawings,graffiti, found objects and a collection of other materials, Durante creates a space that furthers his exploration of boundaries into a visual experience, creating a thought provoking space, a "place of freedom," if you will, where viewers can explore ideas. About his work, Chris comments, "The inability to couple a thought with a sustained and focused action can be an asset if one can be patient and accept that condition as temporary. Let the mind wander and the hand fiddle. Attention is a slippery proposition. The unison of idea and craft will come, eventually."

Drawing - Robert Gregson

Silvermine's new Viewing Room, will present works by Guild Artists Roger Mudre and Robert Gregson. A selection of new abstract silkscreens by Roger Mudre which were produced in collaboration with Master Printer Gary Lichtenstein and an installation of recently created optically fetching geometric drawings by Robert Gregson will be featured through the summer. For more information about the exhibitions and other upcoming events at Silvermine Arts Center call 203-966-9700 or visit our website at www.sivermineart.org.

About Silvermine Arts Center

Silvermine Arts Center located in New Canaan, Connecticut is one of the oldest artist communities in the United States. Located on a four acre campus, the center consists of a nationally renowned artist guild, award winning school of art offering multi-disciplinary art classes for all ages, an art and fine crafts shop and galleries, offering over twenty contemporary and historic exhibitions annually.

The center also provides innovative free and subsidized arts education in Norwalk and Stamford schools through its outreach program, Art Partners; and hosts a lecture series, performances, and special programs throughout the year. Silvermine Arts Center is a nonprofit organization.

Gallery Hours: Silvermine Galleries are open Wednesday through Saturday, 12p.m. to 5 p.m. and Sunday from 1pm to 5 p.m. For more information, call (203) 966-9700 ext. 20 or visit the website: www.silvermineart.org.

For area information www.visitfairfieldcountyct.com

The Glass House - Exhibition through November

The Glass House, a site of the National Trust for Historic Preservation, is hosting two exhibits, SNAP and Gnomon/ Wave this summer and fall that are unique to this fascinating attraction in Fairfield County.

E.V. DAY: SNAP!
On view May 2 - November 30, 2013

SNAP! is a site-specific exhibition by New York-based artist E.V. Day. Conceived for the building known as Da Monsta (1995), the last building completed by Philip Johnson on the Glass House campus, SNAP! comprises four recent sculptures as well as site-specific installations for the building's interior and exterior. E.V. Day is the first artist the Glass House has invited to reinterpret the building, originally intended as a visitor center and now used as a project space for contemporary art.

Upon arrival at the Glass House, visitors will immediately encounter Day's reinterpretation of Da Monsta. Responding to Philip Johnson's statement that "the building is alive," Day boldly casts a series of massive red nets across its undulating volume, capturing and staking Da Monsta to the ground. The interaction between artwork and building continues inside. 

After entering Da Monsta, visitors first see individual sculptures by Day, including Spinneret (a study for Spidey Striptease), 2008; Wet Net, 2009; Pollinator, 2011; and Bandage Dress (white with chain), 2012. Once viewers enter the second gallery, they encounter a dramatic, site-specific installation that explores the expressive contours of Da Monsta with a deconstructed Herve Leger Bandage dress deployed as an architectural element.

NIGHT (1947-2015)
Tauba Auerbach, Gnomon/Wave Fulgurite I.I, 2013
On view May 2 – September 1, 2013

The Glass House will debut New York-based artist Tauba Auerbach's Gnomon/ Wave, a sculpture made for Night (1947 – 2015), a "sculpture-In-residence" series presented on the Mies van der Rohe glass coffee table inside the Glass House. Auerbach's first sand sculpture, Gnomon/Wave evokes a solid wave of light composed of tiny particles. The physical form of the work resembles that of a gnomon, the vertical shadow casting part of a sundial.

Throughout the day, Gnomon/Wave will cast a moving shadow along and through the glass table where it rests. It will be on view until early September 2013. Night (1947 – 2015) presents a series of contemporary sculptures that contend with the legacy of Night, a 1947 sculpture by Alberto Giacometti that disappeared from the Glass House in the mid-1960s, as well as the architecture of the Glass House itself. Guest curator Jordan Stein organized this unfolding sculpture exhibition, held in the same spot where Giacometti's Night once stood, over the course of three years. On display for three to six months at a time, the individual works presented in Night (1947 – 2015) each "disappear" after their run, making room for new works and new absences.

About the Glass House

Built between 1949 and 1995 by architect Philip Johnson, the Glass House is a National Trust Historic Site located in New Canaan, CT. The pastoral 49-acre landscape comprises fourteen structures, including the Glass House (1949), and features a permanent collection of 20th century painting and sculpture, along with temporary exhibitions. The tour season runs from May to November and advance reservations are required. For more information, and to purchase tickets, visit www.philipjohnsonglasshouse.org.  For area information www.visitfairfieldcountyct.com.

Open Your Eyes Studio Tour & Showcase in Litchfield Hills

L. Petrocine - Wetlands

Artists in the Litchfield Hills are opening their doors to the public this summer on June 22 and 23 free of charge.  In the Open your eyes Studio Tour sponsored by the Northwest CT Arts Council, twenty-nine artists and eight performers in New Milford and Kent will open their studios to the public.

Artists will open their creative spaces to the public on Saturday and Sunday along the tour route to show their work and discuss their creative processes.  The artists’ media represented on the tour include painting, printmaking, sculpting, photography, metal sculpture, woodworking, wool spinning, dying & weaving, installation work, bookmaking, digital art, drawing, ceramics, and jewelry.  

M. Everett

The artists are Terri Tibbatts, Bill Merklein, Silver Sun Studio, Michael Everett, Linda Petrocine, Peter Kirkiles, Alison Palmer, Peter Kukresh, Lauri Zarin, Scott Bricher, Naya Bricher, Mary Terrizzi, Ed Martinez, Deborah Chabrian, Jill Scholsohn, Richard Stalter, Susan Grisell, Barbara Dull, Stephen Dull, Elizabeth Mullins, Susan Millins, Kathleen L’Hommedieu, Peter Catchpole, Patrick Purcell, Chris Osborne, Joel Spector, Anda Styler, Lynn WEllings, and Diane Dubreuil.

Chabrin - Artists Desk

 Performers for the Showcase on Saturday, June 22 from 5 – 9 pm on the New Milford Green will include TheatreWorks New Milford, musician Tom Hooker Hanford, Artists in Motion (dance), composer/pianist Sharon Ruchman, Larry Hunt from Masque Theatre, Buzz Turner on acoustic guitar, Rebecca Moore Dance, and True Jensen who perform rock and R & B cover music.

SS Studios

For more information about Open Your Eyes Studio Tour & Showcase go to OpenYourEyesTour.org or contact the Northwest Connecticut Arts Council at (860) 618-0075 or mcartsnwct@gmail.com.