Kent Annual Holiday Champagne Stroll

To get in the holiday mood, visit Kent, a quiet village located in the the heart of the Litchfield Hills that has organized a great holiday outing for young and old alike. On November 28 and 29, visitors are invited to attend the second annual Champagne Stroll where local merchants will be pouring champagne from 4 p.m. - 7 p.m. on both days.

Stroll participants will be awarded with special offers throughout town and will even be entered into a contest to win one of 3 great bottles of champagne! For additional information visit http://www.kentct.com.

The Kent Historical Society is getting into the swing of things with a special display at the Champagne Stroll highlighting material from Camp Po-Ne-Mah and Camp Francis. The Kent Historical Society we will be displaying items in a Trunk Show at 5 Kent Green Boulevard during Kent's Champagne Stroll, from 4:00 to 7:00 p.m. You'll see the old Po-Ne-Mah sign, as well as several other highly evocative pieces from their collection. This trunk show will provide a glimpse of their 2015 show, and give visitors a better understanding of the allure of this pleasant community. 

The Kent Historical Society's mission is to collect, preserve, interpret and present the rich history of Kent as well as to provide educational and research material to enrich the public understanding of Kent's artistic and cultural heritage. For more information, see www.kenthistoricalsociety.org or call 860-927-4587.

For area information www.litchfieldhills.com

Pastoral Solitudes and Landscape Paintings at the Gregory James Gallery

Contemporary realist and Connecticut native Thomas C. Adkins has spent years meandering through the hills and farms of Litchfield County, searching for the perfect view. Rather than seeking out new landscapes, Adkins finds inspiration in the familiar and captures on canvas the emotion or feeling that is evoked when something suddenly appears fresh and new. 

Adkins, who will present 30 new works, both Plein Air and studio paintings, in a one-man show, “Pastoral Solitudes,” at the Gregory James Gallery in New Milford. The show continues through November 4^th. All of the paintings were produced over the past two years and reflect the farms and untouched landscapes of Connecticut’s Northwest Corner. A few marine paintings were inspired by scenes near Adkins’ home in Maine, where as a boy, he spent summer vacations with his family. 

Most of his paintings are derived from small sketches made on location, which Adkins refers to later in the studio, making subtle changes in color and light to evoke a mood, the season or time of day.

The green and gold fields of “Northern Farm Early Spring” draw the eye up to an aging grey barn illuminated by sunlight peeking over the hills beyond the farm. The last remnants of snow are visible on hilltops and the bare branches of trees stretch toward a pale sky tinged with purple. The interplay of light and shadow hint at a scene captured just before sunset, or perhaps slightly after sunrise.

The change of season is evident in “Fall Diagonal Light Kent,” which features a pair of barns, bookends to a white farmhouse, tucked beneath leafy green trees tinged with orange. The last slanting rays of sun fall over the scene from beyond the frame of the painting as thick clouds move in from the opposite side.

Looking at “Lake Waramaug Summer,” the viewer seems to be perched on the path, in the same spot Adkins set up his easel, pausing to take in the view of the lake and green the hills sloping down to its edges. There is a small farm tucked into the hillside, yet there is a sense that the viewer is able to take in this tranquil scene alone. Adkins calls it “a snapshot of the moment. You get a true sense of the atmosphere and the feeling for the place.”

A graduate of Paier College of Art of New Haven, Adkins completed graduate classes at the School of Visual Arts of New York. He has worked as art director and creative director for some of the most prestigious advertising agencies in Connecticut and New York. 

As a contemporary painter, Adkins’ style and technique has developed from early influences by Impressionistic painters of light on nature, such as Monet, Pissaro, Willard Metcalf. Adkins’ work is featured in private collections throughout the United States and abroad. His paintings have been shown in galleries and exhibitions in Connecticut and New England, including the New Britain Museum of American Art, The Butler Institute Of American, Old Lyme Association, Gregory James Gallery, Greene Art Gallery and at Bayview Gallery in Brunswick, Me. A member of the Connecticut Plein Air Painters Society and the Association of Oil Painters of America, he participated in the prestigious International Marine Art Exhibition at The Maritime Gallery at Mystic Seaport. In 2014, he will be one of a select few award-winning artists from seven countries selected to participate in the 35^th Annual International Marine Art Exhibition at Mystic Seaport.

The Gregory James Gallery is located at 93 Park Lane Road (Route 202) in New Milford, about 100 feet from the intersection of Route 109. For more information, please call (860) 354-3436 or visit www.gregoryjamesgallery.com.

HiSTORYtime at the Litchfield Historical Society

The Litchfield Historical Society is inviting children aged 3 and up, along with their caregivers, for "story time" at 10:30 a.m. on September 18. After the stories are read and discussed with an educator from the Litchfield Historical Society, kids will be entertained with a craft project or game.

On Thursday, September 18, the funny tale about Noah Webster, one of Connecticut's most famous residents will be the highlight. The book Noah Webster and His Words, written by Jeri Chase Ferris and illustrated by Vincent X. Kirsch, provides a fun chronicle of Noah Webster. 

Webster, whose father wanted him to be a farmer, grew up to write schoolbooks, language, and grammar books, and the dictionary. Kids will hear the tale of how this school teacher united the 13 colonies using words and language. The story will be read aloud and then a game will be played or a craft project will be presented that relates to Noah Webster's words.

This program is a suggested $2 donation. It is for children aged 3 and up. It will be from 10:30 am to 11:30 am at the Litchfield History Museum. No registration is required. Litchfield History Museum is located at 7 South St., Litchfield, CT. For more information about this or other programs, please see www.litchfieldhistoricalsociety.org or call (860) 567-4501.

NEGLECTED MANSION TO MODEL MUSEUM: WHITE MEMORIAL CONSERVATION CENTER MARKS 50 YEARS IN THE LITCHFIELD HILLS

Alain White might not believe his eyes. The mansion he once called home has been transformed into a model nature center and museum celebrating its 50th birthday this year. The changes did not come quickly or easily.

Alain, a Litchfield native, and his sister, Mae were pioneer environmentalists, turning their 4,000-acre property into a nature preserve and founding the White Memorial Foundation over 100 years ago.

 However, after the two passed away in the 1950s, their mansion, Whitehall, was left to the elements. The 50th anniversary of the foundation in 1963 sparked a move to do something about the building.

The Conservation Center was incorporated in 1964 with the challenge of converting the rundown manor house to a museum.  Initially it was known as the Litchfield Nature Center and Museum. The founders wanted the best, with many of the early dioramas put together by experts at New York’s Museum of Natural History.

But initially there was little “flow” as the rooms were designed for a home, not a museum space. Visitors came through a front hall and went in and out of rooms to see the displays.   It took over 30 years, but in 1996, everything changed, with a two-year renovation adding a modern exhibit building that puts it into the top ranks of nature centers.

 The Museum Today

Now known as the White Memorial Conservation Center, the building includes a nature museum with state-of-the-art exhibits on natural history, conservation, and ecology, as well as a dormitory, and a nature store and classroom facilities for the many school groups that visit.

The Conservation Center's Nature Museum offers a picture tour with exquisite dioramas and artwork telling the story of this unique 4,000 acre wildlife refuge, its diverse habitats using giant photo murals and animal mounts. A special exhibit on the Art of Taxidermy explains how the mounts were made.

A live snake habitat, beaver dam, fluorescent rock cave, bird sculpture garden, and children's room with books and activities guarantees a fun and informative experience for the whole family. The thousands of surrounding acres add many opportunities for first-hand contact with the natural world.

More than 35 miles of trails are open year-round for hiking, biking, cross-country skiing and horseback riding. These include interpretive nature trails and a boardwalk trail for observing the extensive bird life found in a wetland environment.  Bantam Lake and the Bantam River offer fine fishing and canoeing and the grounds have ample scenic spaces for picnicking and camping.

The White Memorial Conservation Center is located at 80 Whitehall Road in Litchfield and is open seven days a week, from 9 a.m. to 5 p.m. Monday through Saturday and from noon to 5 p.m. on Sundays. Admission to the museum is $6 for adults and $3 for children ages 6 through 12.

For more information on White Memorial www.whitememorialcc.org.  For information on Litchfield Hills www.litchfieldhills.com

New Exhibit on the Colonial Revival to Open at the Litchfield Historical Society

Dominated by the white clapboard Congregational meetinghouse, the stone clock tower of the Court House and the immaculate homes with white paint and black shutters, Litchfield has come to embody the quintessential New England town. It is easy to imagine our colonial ancestors living in such a beautiful pastoral setting. What is harder to image is that Litchfield’s picturesque beauty was not a product of the colonial era, but a late 19^th- and early 20^th- century movement known as the Colonial Revival.

Opening April 12, 2014, the Society’s new exhibit, The Lure of the Litchfield Hills, will explore what was behind the Colonial Revival Movement, how the residents of Litchfield embraced their ancestral past, and how the community came to look the way it does today. Visitors are invited to join in exploring this social movement that touched all aspects of American life from architecture and landscaping, to fashion, home decoration and beyond.

Featuring items from the museum’s collections, ranging from documents and photographs to furnishings, house wares, and clothing The Lure of the Litchfield Hillswill be a must-see exhibit. Come explore Litchfield’s past this spring, and don’t forget to stop by the Tapping Reeve House and Litchfield Law School to see the completed exterior renovations.

The exhibit will open on Saturday, April 12. The Litchfield History Museum’s hours are Tuesday through Saturday, 11:00 am to 5:00 pm, and Sunday, 1:00 to 5:00 pm.

The Lure of the Litchfield Hills will run through the 2014 and 2015 seasons at the Litchfield History Museum, 7 South Street, Litchfield. For more information visitwww.litchfieldhistoricalsociety.org or call 860-567-4501.

Mix it Up Exhibit at Sharon Historical Society in Litchfield Hills through Feb. 27

The second annual winter “Mix It Up” show hosted by the Sharon Historical Society in the Litchfield Hills of Connecticut will juxtapose portraits by seven contemporary artists with five portraits from the museum collection by well-known folk artist Ammi Phillips (1788-1865). The exhibit at the Sharon Historical Society located on Main Street runs through February 27th.

Aung San Suu Kyi, by Robert A. Parker

This year’s “Mix It Up” exhibit is designed to challenge the viewer to visually travel from early nineteenth century folk portraits of local Sharon residents painted by Phillips to contemporary portraits painted by Sharon (and other local) artists.

Robert Louis Stevenson, by Duncan Hannah

Phillips, known locally by various monikers including the “Kent Limner”, painted in the Northwest Corner of Connecticut in the mid-1830s. By that time he was well established as an artist of some note, painting his first portraits probably as early as 1809/1810 in the area of Pittsfield, MA. Phillips painted at least five residents of the town of Sharon, Calvin and Phoebe Dowd Day, John Cotton Smith, and Ira and Melissa Williams. It is extremely likely that there are more Phillips’ portraits of Sharon residents in private collections, unsigned and/or unidentified. 

Midwinter Saint, by Richard T. Scott

In this exhibit all five Phillips portraits in the museum collection will be hung side-by-side with contemporary works by Duncan Hannah, Pieter Lefferts, Patty Mullins, Robert Andrew Parker, Warren Prindle, Richard T. Scott, and Peter Steiner. The exhibit hopes to challenge the viewer to evaluate the meaning of portraiture beyond the realm of “work of art”, and into the role of portrait as visual entrée into the historic record.

Phoebe Dowd Gay, by Ammi Phillip, ca. 1835

The Sharon Historical Society and Museum is located at 18 Main Street, Sharon, Connecticut 06069. For more information, call 860-364-5688 or visit http://www.sharonhist.org/.  

Museum Hours are Wednesday & Saturday from 10AM - 2PM, Thursday & Friday from 10AM - 4PM and by appointment.

For information on what to see and do in Litchfield Hills www.litchfieldhills.com

Historic Marble Dale Church Celebrates 250th Anniversary

Saint Andrew’s Episcopal Church of Marble Dale, located in the township of Washington in the Litchfield Hills will launch the celebration of its 250^th year on January 12, 2014, at 9:30 a.m.,with a period service based on the 1764 liturgy and congregants attired in vintage dress.

The Episcopal Church in Connecticut began with the conversion of The Reverend Solomon Palmer, pastor of the Congregational Church in Cornwall. He founded a church in 1760, and the first St. Andrew’s was built in 1765. A second church building, located adjacent to the Northville Cemetery, was used from 1793 until the present church in Marble Dale was built in 1822. This landmark brick church, at the blinking light on Route 202 in Marble Dale, is one of the earliest Gothic Revival structures in New England.

The church was built with local materials, chestnut timbers from Aspetuck sawmills, marble quarried from a nearby stone mill, and brick fired in an area kiln.

Nathaniel Wheaton, grandson of Joseph Wheaton and the founder of St. Andrews, was ordained and became the first President of Trinity College. He retired to Marble Dale where he purchased and occupied the present Rectory on Wheaton Road. He directed the addition of the Church’s transept and chancel in the 1850’s. The original Nave windows, parts of which were saved, were replaced with stained glass windows made by Tiffany in 1880.

Smaller changes were made to the building in the 1960’s, and a complete restoration was done in 1994 and 1995. St. Andrew’s is now the second oldest church building in the Town of Washington and is listed on the National Register of Historic Buildings.

In addition to its rich architectural history, St. Andrew’s has played a pivotal role in the communities of both Marble Dale and Washington since Colonial times.

The January 12 service will give the community a rich view of life in Colonial Marble Dale, including the plain homespun clothing of the tradespeople and farmers and the richer dress of more prosperous residents. Everyone is welcome to attend the January 12 service, along with other period services and special events that will be held throughout 2014.

St. Andrew’s is located at 247 Litchfield Road, Route 202, Marble Dale, across from The White Horse Pub. There is plenty of parking on Wheaton Road. Call 860-868-2275 or  www.saintandrewsmarbledale.org for more information.

For area information www.litchfieldhills.com

Vanishing America at the Sharon Historical Society

The Sharon Historical Society is hosting an art exhibit by Jeffrey L. Neumann titled Vanishing America: The Disappearing Commercial Landscape of the 20th Century through October 25.  

This exhibit is a celebration of the exuberance and independent spirit of life in post WWII America tempered by the inexorable march of time. With a focus on the mom and pop eating establishments, motels and movie theaters of roadside America, Neumann's paintings take the viewer on journey down the two-lane highways of the twentieth century. They allow us to experience a part of our past that is being rapidly replaced by the widespread influence of corporate conformity.

The cultural and anthropological aspect of Neumann's work is balanced by his uniquely personal vision. The artist, born in Cedar Rapids, Iowa in 1953 and currently residing in Copake, NY, cannot be considered a regional painter. The subjects of his oil and watercolor paintings come from all across the nation. They are influenced by Neumann's childhood years living in New Mexico and California and his numerous trips on Route 66 in the back of the family station wagon.  His work is noted as finding profound meaning in places often overlooked.

On October 13 at 3 p.m. there will be a gallery walk and talk with the artist. 

Running concurrently with Neumann's Vanishing America exhibit in The Gallery @the SHS, the Sharon Historical Society & Museum will present Now you see it...in the exhibit galleries. This exhibit will take its audience backwards in time, challenging the viewer to use objects and images that are familiar today as a roadmap to the past. Focusing primarily on the changes that have occurred in town from 1850 to the present day, visitors will be confronted with familiar scenes, such as the Sharon War Memorial, the Sharon Fire Department, Mudge Pond Beach, the Sharon Valley Tavern, Sharon Hospital and the Sharon Center School, and with the help of objects from the museum collection, will be transported back in time to pivotal junctures in the town's development.

About the Sharon Historical Society

The Sharon Historical Society and Museum is located at 18 Main Street, Sharon, Connecticut 06069. For more information, call 860-364-5688 or visit www.sharonhist.org. Museum Hours are Wednesday & Saturday from 10AM - 2PM, Thursday & Friday from 10AM - 4PM and by appointment.

For area information www.litchfieldhills.com

Palace Theatre announces 2013-2014 Webster Bank Broadway Season

Palace Theatre Lobby

The Palace Theatre in Waterbury was built in the early 1920’s was active cultural scene prior to WWII. Famous New England theater impresario Sylvester Z. Poli opened the venue in 1922, after investing $1 million in its opulent décor.  Designed by period architect Thomas Lamb in a Second Renaissance Revival style, the Palace Theater features an eclectic mix of Greek, Roman, Arabic and Federal motifs, grand lobby spaces and ornate dome ceilings, all in a palatial setting fit for a king.

Originally a movie/vaudeville house, the Palace evolved with the times over its 70 years of operation, presenting everything from silent films to Big Band music to contemporary rock concerts. Once considered the premiere performance venue in the Northeast, the Palace lights went dim in 1987. 

After 18 years of darkness and a $30 million three year renovation, restoration and expansion, the theater was transformed into a 90,000 square foot arena, housing a state-of-the-art theatrical facility in a historically preserved City landmark. Positioned as Greater Waterbury's Center for the Performing Arts, this exquisite complex now showcases a performance schedule boasting professional Broadway performances, educational programs, top-quality family entertainment and more.

Jersey Boys

The Palace Theatre is not resting on its’ laurel’s  and it getting ready to rock as it announces the 2013 - 2013-2014 Webster Bank Broadway Series that is paying tribute to some of the most iconic songs and biggest names in Rock and Roll history.

The season-long music fest kicks-off in October (9-13) with eight performances of Jersey Boys, the Tony Award-winning blockbuster musical about the rise of Rock and Roll Hall of Famers Frankie Valli and The Four Seasons.

Elf

In November (19-21), patrons will be rockin’ around the Christmas tree to the new holiday classic Elf The Musical, followed by the world-wide party musical Rock of Ages in March (21-22), featuring 28 classic 80’s songs by artists like Bon Jovi, Twisted Sister, Journey and more.

Hair

The musical series continues in May (2-4) with HAIR, a chart-topping and poignant musical journey through the tumultuous 1960s, and wraps up in June (6-8) with Million Dollar Quartet, the musical that united four of the world’s greatest rock and roll icons Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash.

As with any V.I.P. experience, becoming a Palace Theater Broadway subscriber has its benefits. Not only do customers reserve the same great seats for all five national touring Broadway productions, but they also receive a ten percent package savings on their tickets, as well as complimentary E-PASS privileges, which include advance email notice of new events with the opportunity to buy presale tickets before the general public.

Broadway Series subscription renewals for current subscribers are available and the Box Office is currently accepting orders for new subscribers. For more information or to receive a subscription brochure, call the Box Office at 203-346-2000 or visit www.palacetheaterct.org. For area information www.litchfieldhills.com.