Susannah’s path to chair weaving began with a deeply personal motivation: a family heirloom. "When my in-laws downsized, they passed on a few pieces of furniture, including a pair of worn Danish modern chairs,” she recalls. Intrigued, and determined to restore them, she dove into online tutorials. In 2019, she re-wove the chairs. What many craftspeople love about rushing and caning is the almost the meditative rhythm of wrapping and knotting. There is something magical about watching the geometric patterns gradually unfold, transforming a tired chair back into both beauty and usefulness. For Susannah, each woven chair, is more than just a piece of furniture, it's a labor of love and a thread connecting decades of use.
That initial spark soon ignited a wider passion. From Danish cord to ash splint, from a neighbor’s heirloom chair to a canoe seat her father was restoring, each new project added to her skill set. "I see rushing and caning as a way for people to be able to use a chair they love. If someone has had a chair with a broken seat for years it must mean something to them, to save it and be willing to put money into getting it fixed - or even a beloved thrifted item. People seem very glad to be able to use their chairs again," Susannah shares.
Woven rush seating has a long and fascinating history, stretching all the way back to ancient Egypt, where bulrushes were transformed into strong, comfortable seats. Over the centuries, this craft grew in popularity—particularly during the 17th and 18th centuries in England and Colonial America, where country-style ladder back and spindle back chairs became household staples. Although the art of rush seating saw a decline in the 20th century, largely due to the loss of skilled craftsmen during wartime, it’s now making a wonderful comeback, thanks to renewed interest in the Arts and Crafts Movement.
Today, rushing a chair involves working with both durable twisted paper—known as fiber rush—and natural materials like bulrush or twisted cattail leaves. The result is a beautifully textured, sturdy seat that combines practical strength with nostalgic charm. Chair caning, by contrast, uses the glossy outer layer of rattan palm vine to create a seat that’s lightweight, breathable, and remarkably strong. Whether cane is hand-woven through holes or pressed in as a pre-woven mesh, each technique adds its own distinctive touch.
Susannah, a painter, brings her keen artistic eye and a true passion for craftsmanship to every restoration project. She carefully assesses each chair’s needs and applies time-honored techniques to restore its beauty and function. While the process may look effortless, it demands patience, strong hands, and a meticulous attention to detail.
Keeping these age-old crafts alive is not without its challenges. Materials are more expensive now, and handmade work is always a labor of love. As Susannah notes, “Trying to keep a project affordable, while making a living, as we say, is the ongoing challenge.” Yet, her commitment to restoration over replacement, and preservation over mass production, shines through in every project.
Those lucky enough to visit her Sunday demonstrations get to witness something special: not just the repair of a chair, but the revival of a tradition. Each seat restored is a piece of history woven by hand, carried forward by dedication and artistry
For more information on Weekend in Norfolk visit http://weekendinnorfolk.org And, for information on the studio of Susannah Anderson visit https://www.susannahandersonart.com
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