Today, it is hard to believe that the village of Norfolk, set in the foothills of the Berkshires, was once a bustling manufacturing hub as well as a thriving farming community with more than 228 farms. Blessed with waterpower, early industry utilized the waterfalls and rivers for mills and iron ore production. Farmers raised sheep, cows, and even silkworms, in addition to cultivating the land. Records show that in the 1840s more than 200,000 pounds of cheese was made in Norfolk annually, and shipped to nearby cities. Husky Meadows Farm, one of the few working farms still operating and thriving, is proud to carry on Norfolk's farming tradition on our historic 300-acre property.
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Husky Meadows Farm, a Working Organic Farm - where Norfolk's agricultural traditions thrive |
Norfolk's Transformation
Norfolk slowly transformed from a manufacturing hub and farming community to a posh summer resort when the railroad came to Norfolk in 1871. The railway station, constructed of native granite had a sign in brass letters that proudly read, "Norfolk, the Highest Railroad Station in Connecticut."
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Norfolk's welcoming RR Station |
Along with the railroad, came a steady stream of visitors lured by brochures promoting Norfolk's natural beauty, pure mountain air, and fresh spring water. The Eldridge Gymnasium (now the Town Hall), the Norfolk Library, a gift from Isabella Eldridge, and the Norfolk Golf Links offered entertainment and recreation. Large hotels were built and boarding houses, a popular alternative to hotels, were opened. Today, the hotels, known as Norfolk Inn and Robbins Battell's Hillhurst, are gone, but two of the boarding houses, located on Maple Avenue are still standing. They are now private residences that are proudly and meticulously maintained. One of them, Fairlawn, located at 44 Maple Ave. was one of the most popular where guests enjoyed croquet on the lawn and outdoor concerts on summer evenings. A drive down Maple Ave. brings back memories of how the gilded age influenced this quintessential mountain village.
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Still a Gathering Place - the Norfolk Library was built in 1888, a gift of Isabella Eldridge |
Most visitors stayed in Norfolk for the entire summer, with many building summer homes. Among the many residents, three prominent families, the Battells, the Eldridge sisters, and Stoeckels became benefactors of Norfolk. These families are responsible for not only erecting several of Norfolk's most notable buildings but, are also responsible for creating what the town is best known for, the Yale School of Music's Norfolk Chamber Music Festival located on the Ellen Battell Stoeckel Estate, an iconic landmark in the center of Norfolk.
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The historic Music Shed |
For the Love of MusicIn the 1840s, Irene Battell from Norfolk moved to New Haven as the wife of a history professor at Yale University. Motivated by her love of music and the arrival of Gustave Jacob Stoeckel in 1847, she persuaded her brother, Joseph Battell, a successful merchant married to Sarah Robbins, daughter of Norfolk's first pastor, to fund an endowment for musical studies at Yale, with Stoeckel as the professor. The Battells continued this musical endowment and in 1890, Stoeckel was appointed, "Battell Professor of Music." Yale began to offer its first credits in music in 1891, and by 1894, the first class of students graduated with a degree in music. Several members of Norfolk's Battell family were Yale alumni and kept ties to the University, including funding the new music program. The love of music and a willingness to use privilege and inherited money for public good characterize the generations of giving by the Battell-Stoeckel family, which is relevant today.
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Music Shed Interior, 1906 |
After his brother Joseph's death, Robbins Battell, an expert flutist and composer, managed the family's estate and businesses. His biggest contribution was to establish the Litchfield County Musical Association. After his death in 1894, his only daughter, Ellen, was determined to carry on her family's love and dedication to music. Ellen Battell married Carl Stoeckel, a professor of Music at Yale, in 1895 that shared her love of music, and together they created a series of projects that enhanced the cultural life of the Norfolk area, that echoed worldwide.
In 1897, musical philanthropists, Ellen and Carl began to sponsor English glee-singing, in their Norfolk home, the Whitehouse, which is a cherished centerpiece of today's Yale School of Music and the Norfolk Chamber Music Festival. In 1899, they founded the Litchfield County Choral Union, in memory of Ellen's father, Robbins Battell. Concerts became so popular that Carl and Ellen funded the construction of the Music Shed in 1906, whose excellent acoustics have been appreciated for more than a century.
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The Red-wood lined - Music Shed, is acoustically amazing |
From 1900 until 1922, the Norfolk Music Festival, as it came to be known, presented some of America's and Europe's finest performers and musical works. Under the stewardship of Ellen and Carl, the Music Shed welcomed solo pianists, violinists, and singers, such as Sergei Rachmaninoff, Fanny Bloomfield-Zeisler, Maud Allan, Fritz Kreisler, Alma Gluck, and Louise Homer; pieces for chorus and an orchestra of close to a hundred, brought in by special train from New York (largely Philharmonic and Metropolitan Opera players); and numerous compositions for orchestra alone. The Choral Union grew, through the creation of local choruses in various towns, which then joined forces for an annual Norfolk Music Festival to house it.
The Norfolk Music Festival carefully curated by Ellen and Carl saw the premieres of American works by such composers as Victor Herbert, Henry Hadley, Charles Martin Loeffler, Horatio T. Parker, Frederick Stock, Henry F. Gilbert, David Stanley Smith, John Powell, and Victor Kolar. Foreign luminaries include Samuel Coleridge-Taylor, Jan Sibelius, Sergei Rachmaninoff, and Jan Ignace Paderewski.
When Ellen's husband died in 1925, she lived on until her death in 1939, when she left her estate in trust for the use of the Yale School of Music. In 1941, the Yale Summer School of Music and the Norfolk Chamber Music Festival were established, and their summer music series has been pleasing audiences from near and far ever since. Every summer the redwood-lined walls of the atmospheric Music Shed, known for its superlative acoustics, continue the music traditions started generations ago by the Battell - Stocekel family.
Imagine, as you sit in this storied venue that almost everyone who is anyone in the history of American music has performed at Norfolk's Music Shed -- and -- that you are here! Our advice is to sit back and relax - listen for every single nuance on stage, it's easy because of the acoustics. Concert goers remark that there isn't a bad seat in the house! No matter what type of music you enjoy, this is an experience, that is unforgettable and, according to our many guests, at Husky Meadows Farm - it is like stepping back in time on an enchanted evening in Norfolk.
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