This beautifully curated exhibit is composed of artifact clothing as well as contemporary pieces made by Vermont's Abenaki artists, community members, and tribal leaders. The show offers a chronological look at Abenaki fashion and adornment. There is everything from a beautiful 17th-century style buckskin dress by Melody Walker Brook to a hip looking denim jean jacket with a Tolba or turtle design created by Vera Longtoe Sheehan. "The message of this exhibit is that we are still here and that we know our history and still respect and practice our culture," said Longtoe Sheehan. "Many of us practice both traditional designs and clothes such as the twined woven dress and handbag I made as well as contemporary designs using a jean jacket, in different ways, both connects my family tradition to thousands of years of our history."
In addition to the many contemporary handmade items celebrating Abenaki culture, there is a "Wall of Honor" that includes a wealth of archival photos including a portrait of19th-century matriarch Nellie Longtoe Sheehan wearing an animal claw beside her crucifix pendant. "We can't separate our spirituality from our history from our art," said Longtoe Sheehan. "The very being of our art is a celebration of our culture."
About Vera Longtoe Sheehan
As an Abenaki culture bearer, artist, educator and activist Vera Longtoe Sheehan serves her community as the Director of the Vermont Abenaki Artists Association (VAAA), a multi-arts services organization, supporting Native American artists in the decorative arts, fine arts, performing arts, music, and literary genres. Her BA in Museum Studies and Native American Studies combined with her current studies working toward an MA in Heritage Preservation from SUNY Empire allow her to act as a bridge between the Abenaki community and the mainstream art world in creating engaging exhibitions and educational programs and events that promote the vibrant culture of her people. Additionally, Vera leads the VAAA education team in the development of study guides and has developed the teacher a teacher training program entitled “Presenting Abenaki Culture in the Classroom.”
Vera has done extensive research of primary resources relating to textiles made in and traded through the Northeast United States and Southeast of Canada. She is a Master Artist in the areas of Twined Plant Fiber Textiles and Wabanaki Clothing. To date she has curated, four museum exhibitions involving Native American clothing from the Northeast, Alnobak: Wearing Our Heritage and Warmth and Protection were dedicated to the continuity of Indigenous clothing.
Having lectured and exhibited her work both nationally and internationally, Vera preserves the traditions of her ancestors by making twined, plant-fiber creations. Her father taught her the proper way to harvest and process plants to make cordage, as well as the twists, ties, and knots she uses to make her distinctive twined bags, baskets, and textiles. Her twined bags, baskets and textiles reside in museums and private collections and can be seen in films and literature. Vera is committed to bringing this endangered tradition back into practice.
For over twenty-five years, Vera has combined her Indigenous heritage, her knowledge of regional history, and a passion for artistic creation, in offering programs for schools, and museums.
About The Institute for American Indian Studies
The Institute for American Indian Studies preserves and educates through discovery and creativity the diverse traditions, vitality, and knowledge of Native American cultures. Through archaeology, the IAIS is able to build new understandings of the world and history of Native Americans, the focus is on stewardship and preservation. This is achieved through workshops, special events, and education for students of all ages.
Located on 15 woodland acres the IAIS has an outdoor Three Sisters and Healing Plants Gardens as well as a replicated 16th c. Algonkian Village. Inside the museum, authentic artifacts are displayed in permanent, semi-permanent and temporary exhibits from prehistory to the present that allows visitors a walk through time. The Institute for American Indian Studies is located on 38 Curtis Road in Washington Connecticut and can be reached online or by calling 860-868-0518.
About The Institute for American Indian Studies
The Institute for American Indian Studies preserves and educates through discovery and creativity the diverse traditions, vitality, and knowledge of Native American cultures. Through archaeology, the IAIS is able to build new understandings of the world and history of Native Americans, the focus is on stewardship and preservation. This is achieved through workshops, special events, and education for students of all ages.
Located on 15 woodland acres the IAIS has an outdoor Three Sisters and Healing Plants Gardens as well as a replicated 16th c. Algonkian Village. Inside the museum, authentic artifacts are displayed in permanent, semi-permanent and temporary exhibits from prehistory to the present that allows visitors a walk through time. The Institute for American Indian Studies is located on 38 Curtis Road in Washington Connecticut and can be reached online or by calling 860-868-0518.
In addition to the many contemporary handmade items celebrating Abenaki culture, there is a "Wall of Honor" that includes a wealth of archival photos including a portrait of19th-century matriarch Nellie Longtoe Sheehan wearing an animal claw beside her crucifix pendant. "We can't separate our spirituality from our history from our art," said Longtoe Sheehan. "The very being of our art is a celebration of our culture."
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